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a blog dedicated to researching other artists to assist with the context and development of my own art practice
www.aliceblanch.com
Monday, July 2, 2012
Caroline Rannersberger
Berit Myreboe
| The Tide, 2012, 148x120 |
| UT(triptych) 2012 |
| La Vague, 80x120, 2012 |
Liesl Pfeffer
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| The Mountains Wai |
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| The Crystal Lake |
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| One Hundred Days Away |
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| Sunset Over Mountains |
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| Mountain Rock |
From QCP website:
In Souvenir,
Liesl Pfeffer uses the tropes of travel photography to explore the concept of
photographic truth. Souvenir consists of photo- media collages depicting
imaginary foreign landscapes, including mountain ranges, fjords and lakes,
inspired by and referencing the composition of vernacular travel photographs.
What at first glance appears to be a mountain is actually made up of pieces of
snapshots of the everyday; anything from fences to clouds. There is something
false and visually jarring in these images; the artists uses this disjunct to
explore questions of truth in photography.
Noel McKenna
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| Big Bull Wauchope, 2004 |
| Diseased Trees, Lynne Park, Rose Bay 200g, 60x70cm |
| Jetty, Second Valley 2006 |
| Man Fishing Autumn Scene, 2009, 60x60cm |
| Man with two dogs, 2009, 21x25cm |
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| Snail coming down, 2004 |
| South Coast Picture, 2002 |
| Sydney, Autumn phase, 2008, 150x180cm |
| The Tasmanian Home of Bob Brown, Leader of the Greens 2011 |
| Two trees, 2000 |
| Big Apple, Batlow NSW |
| Big Pineapple, Nambour, Queensland |
| Gotta Love the Mo |
| House in Paddock, Upper Hunter 2010 |
| Two Fruit Trees, 2000 |
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About Me
- Alice Blanch
- Adelaide, SA, Australia
- If you are interested in my work, check out my website- www.aliceblanch.com or blog at clouddreamss.blogspot.com.au














